The exhibition reviews how photographers, through a variety of cultures and historical periods, have used their images to assemble or question social stereotypes built around the notions of race, gender, class and nationality. By emphasizing the work of artists and models who use the technique to subvert visual expectations and challenge the identification markers, this exhibition questions the notions of a truly stable being and shows how some photographers have used serial images, instead of individual images, to explore the political and cultural factors that give shape to individual and collective subjectivities.