From its origins, the audiovisual program is mounted on a military-financial-urban-industrial thought. Loaded with these early impulses it is developed a history of cinema and audiovisual derives. In parallel to this race, the moving images, very complex entities, always showed other possible paths: dens, hideouts, shortcuts. Forms closer to magic, to the mystical revelation, to the philosophy, the phantasmagoria, the speculation, sometimes they walked peripheral roads and in other cases from the very inside of the show business system.

This workshop invites you to question cinema from the following sentences:

Cinema is a military device – demilitarize it.
Cinema is an urban device – ruralize it.
Cinema is a male device – feminize it.
Cinema is a financial device – materialize it.
Cinema is an industrial device – make it artisanal and manual.

Imparte: Bruno Varela (Ciudad de México, 1971)