In Hamlet Machine, Müller writes a brief piece –a non-realistic theater object— to be in between at the middle of a representation of Hamlet by Shakespeare, a detonation against the fixed theater conventions so they are exhibited as accomplices of the power that criminalizes everything, punishing it until trivialization.

The play is an essay, a poem, a journalistic piece, as Shakespeare’s theater is outside the hardcover collections, but it is essentially dramatic because it has the only thing theater cannot do without: the power to curse and bless the world by the word, turning it necessary by means of public call of the invisible. Hamlet Machine is the last master piece of a century that demolished everything to surrender later to the exact historical reconstruction of the destroyed.

AUTHOR:

Heiner Müller

DIRECTOR:

José Luis Álvarez Hidalgo

CAST:

Mutis Compañía Teatral.