More often, viewers are encouraged to participate actively in the development of the staging. Whether it is from moderate winks, or through frank provocations, the fourth wall collapses: The actors make direct contact with those who could once relax in the comfort of an armchair, without the danger of being questioned. Is this trend a passing fad? How does the audience feel: violated or summoned? Are there dissenting actors and directors who avoid or definitely hate this kind of stage alternatives? What do they say who use this resource?

Through four theatrical simulators, creators and spectators will be able to discuss this explosive and controversial topic.

Participan los proyectos: Contracampaña (o formas de asaltar el estudio de la realidad), Play: experiencia sonora sobre el entrenamiento del actor, Teatro de animación en tiempo real, bajo el concepto de bio-teatro. Modera: Mariana Hartasánchez