For each choreographic project, Anabella Pareja endeavored in a research, usually alone. However, from an exercise of observation, from a sort of speculation around the lives of objects, the dancer and teacher finds communicating vessels or certain constants in works by other choreographers and creators of the stage from different parts of the world.

Soon, she delves in a research that makes her become interested in the Anthropocene, the Post-Humanism, and, finally, by the Object-Oriented Ontology; leaping from the ideas of Hito Steyerl to Graham Haram.

AUTHOR:

Anabella Pareja