The poems in Frictions take as their point of departure, concepts of the wearing, fatigue, and erosion from physics to create a metaphor of the end of a love relation.

Engineering, construction, strutting, are part of the mechanism of language and the gesture that requires an electronic textuality: clicking, scrolling, or friction are, in opposition, the mechanism of erasing of this construction.

The interactivity proposes a non-lineal, causal reading, and the reader attends a fictitious gallery, a mechanism of memory that alludes the physical journey from a body to another, a sentimental object that vanishes.

AUTHOR:

Maricela Guerrero