Ever since her husband died, Luisa, a rich Young woman, mother of two daughters, can’t put her life back together. But when a stranger breaks in with unexpected vehemence and asks her to rebuild everything, she must face a process of mourning that had systematically avoided. Filmed in black and white, and structured from formal elements that play with the space-time relation between the characters and the camera, the third feature film by Ariel Rotter, immersed in the domestic intimacy of its protagonist and between elements such as jazz, puts on stage the erratic beginning of a relation that is marked by the social context where it is set: the 1960s Argentina.

DIRECTOR:

Ariel Rotter